Although the pro-wrestling industry often appears content to exist on the fringe of popular culture, fancying itself apolitical, asocial, and purely "entertainment", it does not, in fact, exist apart from society.
Pro-wrestling is every bit a reflection (the good, the bad, and the reprehensible) of society as any other theatrical medium. Just as Hollywood, the video game industry, the sports world, and every other business enterprise where creativity, athleticism, and culture collide, professional wrestling is undergoing a transformation.
In pro-wrestling, particularly in the past few years, those fans & performers who have historically been underrepresented, marginalized, or vilified are pushing back. The bigoted and sexist caricatures in pro-wrestling, as well as those fans who dismiss people who don't fit the white, straight, eighteen to thirty-five year old male demographic as "fake fans", face a mounting resistance. Pro-wrestling fans are combating the tired, false narrative that this form of art is "for the few, by the few".
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