The Road To Better Representation Of Asians At WrestleMania

On January 28th, 2018, two performers of Japanese descent, Shinsuke Nakamura and Asuka, won their respective Royal Rumble matches.

This was a defining moment both in pro-wrestling history, and in my personal pro-wrestling fandom.

When you’re an ethnic minority, growing up a pro-wrestling fan presents a challenge.

Pro-Wrestling's xenophobic roots result in the depiction of ethnic minorities as the heels (villains) opposite the "All-American" babyfaces (heroes). We are represented by racial caricatures and stereotypes that are designed to emphasize one’s foreignness. It’s a constant reminder that we are the “other”; that the way we look, the way we sound, the way we act inevitably elicits boos.

New Japan And Innovation In Pro-Wrestling

Kenny Omega drove his knee into the side of Okada's head.

There was an audible pop as boot met flesh, and Okada tumbled to the canvas, devastated. The crowd, enraptured by every strike, let out an awe-struck gasp (this knee was particularly vicious). That gasp spread out as a wave within the arena, and then fractured into light clapping and sporadic cries of "Kennnnnyyyyyy!"

My jaw was firmly on the floor. My eyes were stretched wide, straining to confirm what they had just seen.

Was this real? How could that have just happened?

Well...yes, it was real. It was New Japan Pro-Wrestling. And I was in love.

EDITORIALSTim KailJuly 28, 2017new japan pro wrestling, japan, wrestling, professional wrestling, pro wrestling art, pro wrestling podcasts, kenny omega, ishii, okada, tomohiro ishii, katsuyori shibata, kazuchika okada

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