How Virtual Reality Will Change The Way We Watch Pro-Wrestling

Pro-wrestling has changed dramatically in the past twenty years. Wrestlers are leaner, faster, and seemingly less tethered to gravity. There is no "top guy" in the industry, but "brand identity" is stronger than ever. In WWE, promos and segments are highly controlled, heavily scripted bits of theater rather than loose, improvisational workshops. There are no Monday Night Wars, but there is a vast and interconnected independent wrestling circuit that's more accessible than ever thanks to the internet. Wrestling isn't drawing ten million viewers every Monday, but how many scripted television shows are in this Era of Niche? 

Pro-Wrestling, like the whole of entertainment, has fragmented into an increasingly specific subset of ever-evolving tastes. Gone are the rigidly defined days of your average "18-35 year old male demo" showing up to RAW & Nitro in their tank tops to drink beer and scream obscenities into the camera. Today's wrestling is about gathering together with fellow "smart" wrestling fans (whatever their age, gender-identity, race, or sexuality), and then evaluating themselves or their particular group against other individuals and other groups, all while existing under the larger umbrella of "modern pro-wrestling fandom". 

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Millions of Us Have Stopped Watching Wrestling - Can The Era of Wyatt Bring Us Back?

There are millions of us out there who have lost faith in the world of professional wrestling. It was a world we used to love. But since the end of the Attitude Era, so many of us walked away.

Is now the time for us to come back?

And is Bray Wyatt the man to bring us back?

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You Will Keep Booing Roman Reigns And It Will Change Nothing

If you still boo Roman Reigns, nothing will convince you to stop booing Roman Reigns.

It doesn't matter if the WWE books Roman Reigns in a manner that "emphasizes his strengths and hides his weaknesses", it doesn't matter if Roman Reigns adds fifty death-defying moves to his repertoire, it doesn't matter if Roman Reigns journeys back in time and works the indies for fifteen years before coming to the WWE, and it doesn't matter if Roman Reigns starts cutting promos with the eloquence and depth of a classically trained Shakespearean actor.

No matter the objective improvements in Roman Reigns' performance or the improvements in the way WWE books him, and no matter how well-reasoned an argument in Roman's favor may be, you will go on booing.

And that's fine. I've accepted this. Keep booing.

No energy should be expended by anyone (least of all Roman Reigns fans) in an effort to convince you to change your mind. You are entrenched in your perspective and you're just going to keep digging in.

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My Message To the Pro-Wrestling Journalists & Podcasters Of The Future

At the end of 2016 my weekly podcast, The Work of Wrestling, will go on hiatus. During that hiatus I plan on restructuring the show so that, in the future, it will be distributed in a highly focused, seasonal format. I do not yet know how long that hiatus will be and I do not yet know how long those seasons will be, but I am excited about the prospect of reinvention and return.

While I still plan to continue writing about wrestling whenever the mood strikes, it feels like a good time to offer a "see you later" (rather than a goodbye) to The Pro-Wrestling Community, particularly to the younger writers & podcasters currently honing their crafts. You are the ones who will take up this mantle, push it into the 21st Century and beyond, and change the way people think about professional wrestling (for the better). Your passion, your ingenuity, and your progressive perspectives will be needed for our Community to ever grow up.

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Raw Improvements In The New Era

The WWE has embarked upon its self-proclaimed "New Era".

The past two months, this idea has taken concrete form in a strict separation between the shows Monday Night Raw & SmackDown Live (separate rosters, brand-specific stories, brand-specific championships, and brand-specific divisions), a renewed focus on the significance of earning a Championship opportunity or victory, showcasing talent that might typically be underutilized, new General Managers in the form of Daniel Bryan for SmackDown & Mick Foley for RAW, and a variety of structural and aesthetic changes to both shows. It is an experiment still in its infancy, and like many experiments it results in some successes and some failures.

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What Summer Slam Taught Us: A 3-Point Plan For WWE

Once cooler heads prevail and feelings aren't so hurt on all sides, there are a lot of positive lessons WWE can learn from this year's SummerSlam.

And I do not mean that in the condescending “Here’s what I’m going to teach you!” kind of way (I'm an advocate for the WWE being exactly what it really wants to be without making concessions to an audience that it simply isn't designed for). I mean it in the way that any reaction to any creative endeavor yields a lot of incredibly useful data.

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Roman Reigns And The Dangers Of Deserve

Almost every day I see comments from frustrated professional wrestling fans claiming that Roman Reigns "doesn't deserve" all of the opportunities WWE has given him. This comment is incredibly reliable regardless of how Roman Reigns evolves and regardless of how his booking changes.

At this point, if a pro-wrestling fan is reciting the same laundry list of criticisms that have been leveled at Leati Joseph Anoaʻi over the past two years, I tend to question their true intentions as it relates to their love of professional wrestling. 

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The Art Of My Way

This song, and the "My Way" vignette that helped build Rock & Austin's fateful main event encounter at WrestleMania 17, was so effective that it is permanently embedded in the minds of the wrestling fans who witnessed it.

I cannot separate my own adolescence from The Rock & Steve Austin's feud, and particularly the song that helped define it. It plays on a permanent loop in the hallowed halls of teenaged angst in my mind, recollections of doing things "My way!" because The Rock & Steve Austin did things their way, giving and taking Rock Bottoms and Stunners to my brothers (on mattresses, of course), walking through my high school purposefully locked away in my own little world of catchphrases and iconic gestures, a Rock-like twitch to my neck and a bad-mother-fucker bravado to my stride.

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WORK OF WRESTLING - EP79 - MISSY KEEN

While I spend most of my time these days writing arts criticism related to professional wrestling, at heart I'm a fiction-writer. That's what I've done my whole life, and that's what I'll continue to do long after I've written or said my last word on pro-wrestling. While I love the writing process itself, I am not enamored with the "literary world".

Readings, wine-tastings, workshops, conferences, literary-networking, talking about books, waiting six months for a response...all of it interests me a lot less than working on something and then sharing it directly with you free of charge. 

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WORK OF WRESTLING - EP78 - RICOCHET vs WILL OSPREAY

This week on The Work of Wrestling podcast I weigh in on the recent "controversial" match between Ricochet and Will Ospreay in New Japan Pro-Wrestling which sparked a debate in the wrestling community; do synchronized acrobatics undermine the credibility of wrestling?

Is this match pro-wrestling at all?

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