Tim Kail's Raw Review, 2/3/25

RAW began with a montage of wrestlers arriving to the arena, Sami Zayn and Charlotte among them. It’s nice dash of realism and a logical way to convey the idea that “this party is getting started”. A recap of The Royal Rumble played next, recapping the premium live event for those who missed it or were in need of a refresher. Then Jey Uso emerged through the crowd, celebrating with a widespread “YEET!” While I’ve been asking for RAW to begin with a match, preferably one already in progress, it made sense to start this episode with the men’s Royal Rumble winner. Jey delivered an emotional address about overcoming self-doubt. The crowd cheered him as his voice wavered and tears appeared in his eyes. There’s nothing more powerful in the arts than a human being vulnerable. Jey’s vulnerability brought out the best in him, an honest gratitude for the support of the fans. Then, as expected, Gunther interrupted him and said he’s going to “put Jey down like a diseased dog”. What could be a hokey, overwritten phrase resonated because of Gunther’s palpable disdain for Jey. The question hanging over the scene was whether Jey would choose Gunther, the World Champion, or Cody, the Undisputed Champion, to face in the WrestleMania main event as is his right as Rumble winner. He did not make a choice, instead opting to “holler at Cody” on Friday.

The Wrestler's Motif

Every wrestler is a motif. The more well-thought out and well-executed the motif, the easier it is for that wrestler to connect with an audience.

(Before going any further, it’s useful for you to know that a motif is a recurring theme in narrative. It’s an idea like “what is justice?” examined by characters in a story or the author of a novel or the director of a film, etc.)

The wrestler has many tools at their disposal for articulating their recurring theme. Let’s focus on six: the wrestler’s name, the wrestler’s attire, the wrestler’s entrance music, the names of their signature and finishing moves, the wrestler’s gestures, and the wrestler’s catchphrases.

There is perhaps no motif more consistent than The Undertaker’s.

Tim KailDecember 12, 2022wwe, motif, the undertaker, wardlow, aew, vince mcmahon, Tony khan, wrestlemania, promo, entrance, catchphrase

It's Time, Triple H

It’s been five months since Vince McMahon stepped down from WWE. That seems like a short period of time, but in the world of professional wrestling that’s an eternity. In that time, WWE’s programming has remained largely unchanged with only some minor, occasional adjustments. For example, NXT 2.0 is back to being “black and gold” NXT. RAW has a vignette that plays before the show starts. The opening segment of each production isn’t a guaranteed "promo train” with one superstar interrupting the next until, inevitably, an impromptu match is booked. Sometimes RAW or SmackDown will open to a brawl already in progress or a match about to begin, welcome deviations from the fifteen minute monologue norm.

But nothing substantive, or ideological, has clearly changed.

EDITORIALSTim KailNovember 28, 2022wwe, sami zayn, jey uso, jimmy uso, the usos, triple h, Kevin owens, wrestlemania

His Name Is Bray Wyatt And He's A Hero In The Making

Like many in the pro-wrestling community the first time I ever saw Bray Wyatt was when he debuted on the main roster, Luke Harper and Erik Rowan at his side. I then watched, over the next several months, as this transfixing character grabbed hold of the hearts and minds of the audience. Everything he did intoxicated us. I particularly remember his unnerving renditions of “He’s got the whole world in his hands…” and the crowd singing it back in unison. Bray’s entrance music was distinct and eerie in a mediocre soup of rock riffs. He seemed to glide to the ring as his fireflies - wrestling fans with their cell phone flashlights turned on in the dark - guided him toward the ring. That use of technology, the natural evolution of holding a lighter up, was a literal manifestation of the metaphorical relationship between character and fan.

EDITORIALSTim KailNovember 5, 2022bray wyatt, wwe, extreme rules 2022, John cena, wrestlemania, Raw, smackdown

The McMahon Behind The Curtain

The opening segment of this week's Monday Night Raw is a light shining at us from the future, illuminating what the WWE could (and hopefully will) become one day.

In it, Roman Reigns, yet again irate at the absence of his WrestleMania opponent, Brock Lesnar, took to the microphone to air his grievances.

Brock, in Roman's words, "Didn't show up to work".

This has been the essence of his problem with Lesnar, and the basis of their WrestleMania rematch. Roman, regardless of the crowd's perpetually mixed-to-negative reaction to him, always shows up to work. He "busts his ass" for the business that's "in his blood", and, just like the fans, he's sick and tired of Brock Lesnar only showing up to work "when the money is right or the city is right". He believes The Universal Champion should be a full-time member of the WWE roster; an unconditional leader of the locker-room and the company.

THE PRO-WRESTLING RENAISSANCE

Professional wrestling is on the verge of a renaissance.

The signs are there, if you’re keen to see them.

This potential revival can be traced back to CM Punk’s "Shoot Heard Round The World". The effects of that single promo continue to radiate throughout the professional wrestling community and particularly in the WWE; namely in the current top program that revolves around Paul Heyman and Brock Lesnar. If CM Punk had not incorporated their names into that promo, would we be seeing them at the top of the mountain today? Had CM Punk not talked about Triple H and Stephanie McMahon in that promo, would The Authority stable exist today?

The Road To Better Representation Of Asians At WrestleMania

On January 28th, 2018, two performers of Japanese descent, Shinsuke Nakamura and Asuka, won their respective Royal Rumble matches.

This was a defining moment both in pro-wrestling history, and in my personal pro-wrestling fandom.

When you’re an ethnic minority, growing up a pro-wrestling fan presents a challenge.

Pro-Wrestling's xenophobic roots result in the depiction of ethnic minorities as the heels (villains) opposite the "All-American" babyfaces (heroes). We are represented by racial caricatures and stereotypes that are designed to emphasize one’s foreignness. It’s a constant reminder that we are the “other”; that the way we look, the way we sound, the way we act inevitably elicits boos.

Stop Lying To Me, Babyfaces: Or Why WWE Heels Always Win

Whether it's Triple H pontificating about the value of hard work or The Miz describing, in minute detail, how meaningless the Intercontinental Championship was on Dean Ambrose's shoulder, heels consistently make accurate and even inspired observations about life and their opponents. Heels tend to speak with confidence and certainty, and, more often than not, they're proven right. They say they're going to win and they win. They lose, and they talk their way out of it through snarky humor or they immediately retaliate (demonstrating cunning, resiliency, and decisiveness). Or they vanish off television for months after their loss, and so their loss is forgotten.

The Women's Evolution In Wrestling: Breaking The Cycle of Sexism

On April 1st, WWE Announced they will air a Global Women’s Tournament this summer with 32 competitors from 17 different countries. The Cruiserweight Classic and United Kingdom Championship Tournament were both critical successes for WWE Network. The single elimination tournament format created stakes based in reality for those involved and was portrayed as legitimate sport, real people with backstories all vying for a championship and the opportunity to be seen by the WWE Universe.

WrestleMania 33 Review

Another WrestleMania has come and gone, and now we pro-wrestling believers are sorting through its remains. Despite a grueling seven-hour runtime that fundamentally contradicts the WWE's mission of providing consumer-friendly, Disney-wrestling, this year's WrestleMania was mostly successful. Between the return of the Hardy Boyz, the unexpectedly superb match between AJ Styles and Shane McMahon, Kevin Owens and Chris Jericho's athleticism, Brock Lesnar and Bill Goldberg's animalistic war, and the haunting, visually beautiful Undertaker-farewell, this was a show that will be fondly remembered in time, if not, by some, in the present.

WrestleMania: Why Indie Wrestlers Don’t Star in Summer Blockbusters

WrestleMania 33 is this weekend, and we will witness the annual convergence of casual wrestling fans and the hardcore internet wrestling community who are prepared to watch, dissect, and critique Vince McMahon’s latest blockbuster.

As WWE’s biggest showcase, Vince McMahon spares no expense. The main event matches are filled with remnants of the Attitude & Ruthless Aggression Eras (Undertaker, Brock Lesnar, Goldberg, Triple H, Chris Jericho, and Shane McMahon) all involved in the highest profile matches.

We may also see cameos from The Rock, Shawn Michaels, Stone Cold, and Mick Foley.

You Will Keep Booing Roman Reigns And It Will Change Nothing

If you still boo Roman Reigns, nothing will convince you to stop booing Roman Reigns.

It doesn't matter if the WWE books Roman Reigns in a manner that "emphasizes his strengths and hides his weaknesses", it doesn't matter if Roman Reigns adds fifty death-defying moves to his repertoire, it doesn't matter if Roman Reigns journeys back in time and works the indies for fifteen years before coming to the WWE, and it doesn't matter if Roman Reigns starts cutting promos with the eloquence and depth of a classically trained Shakespearean actor.

No matter the objective improvements in Roman Reigns' performance or the improvements in the way WWE books him, and no matter how well-reasoned an argument in Roman's favor may be, you will go on booing.

And that's fine. I've accepted this. Keep booing.

No energy should be expended by anyone (least of all Roman Reigns fans) in an effort to convince you to change your mind. You are entrenched in your perspective and you're just going to keep digging in.

The Writings