The opening segment of this week's Monday Night Raw is a light shining at us from the future, illuminating what the WWE could (and hopefully will) become one day.

In it, Roman Reigns, yet again irate at the absence of his WrestleMania opponent, Brock Lesnar, took to the microphone to air his grievances.

Brock, in Roman's words, "Didn't show up to work".

This has been the essence of his problem with Lesnar, and the basis of their WrestleMania rematch. Roman, regardless of the crowd's perpetually mixed-to-negative reaction to him, always shows up to work. He "busts his ass" for the business that's "in his blood", and, just like the fans, he's sick and tired of Brock Lesnar only showing up to work "when the money is right or the city is right". He believes The Universal Champion should be a full-time member of the WWE roster; an unconditional leader of the locker-room and the company.

MICK FOLEY AND DANIEL BRYAN: THE GENERAL MANAGERS WE NEED & DESERVE

This past Monday on RAW it was officially announced that Daniel Bryan will take over as the General Manager of SmackDown Live and Mick Foley will take over as the General Manager of RAW.

In terms of capitalizing on fan-enthusiasm for the creative direction of the upcoming "brand split" (or "brand extension"), these are great choices for the GM roles. Two beloved fan-favorites in positions of fictional power will be a nice shift away from the domineering "evil boss" gimmicks that have defined the WWE's primary narratives in recent years.

Hey, WWE, Please Hire Women Writers

Last night's Raw ended with Stephanie McMahon announcing the inaugural Women’s Royal Rumble match at the forthcoming annual pay-per-view.

This is a welcome announcement that instantaneously makes next year’s Rumble more interesting and essential-viewing. Over the next six weeks, fans will watch this match take shape, and discuss who it should bolster, how it will be structured, and what surprises may be in store. This is all good, and it’s reassuring to see the WWE do the obviously right thing.

Fans should definitely be happy, but fans should also be asking, “What happens after?”

WOW - EP149 - 2017

For the second to last episode of 2017, Work of Wrestling podcast returns to the original three-part format of the show!

For the Lock-Up, I review everything in pro-wrestling that I've seen in 2017. I focus primarily on WWE, discussing some of the highs and the lows, what stood out to me as particularly memorable and what WWE can do better (from The Festival of Friendship to the squandering of Bayley).

Tim Kail's Raw Review

There are times when the WWE strikes that perfect balance between heavy-handed schmaltz and sincere, logical storytelling.

That elusive sweet spot may just be the purest representation of the WWE's perspective on professional wrestling; an over-the-top family saga wrapped in spandex, fireworks, and an assortment of colorful heroes & villains that occasionally results in genuine expressions of pain, joy, surprise, and psychosis.

One such moment occurred on the November 13th, 2017 episode of Monday Night Raw when Kurt Angle and his tearful "son", Jason Jordan, were interrupted by a grim & determined Triple H.

Am I A Pro-Wrestling Fan Or A Human Being

I stood with my hands in my pockets and my eyes on the floor, waiting for the next stall or urinal to open up. We were a pack of shifty men, unaccustomed to bathroom lines. A father and a son talked about Spiderman: Homecoming (the movie we'd all just finished watching) behind me. The father liked it. The son wasn't so sure. Both loved Michael Keaton. Most of us were quiet save a few customary post-pee man-grunts.

A stall door opened, and a bearded young man exited. He wore a Bullet Club tee-shirt. I recognized the skull and crossed AKs immediately. Even though I knew nothing about the Bullet Club (other than the fact that they exist and are important in indy wrestling) I experienced the warmth of recognition.

A fellow wrestling fan!

The Anatomy Of WWE Backstage Segments

I haven't watched a full episode of RAW in over three months.

I catch up by way of clips on Twitter and I skim through Hulu's already abridged version. I spend most of my time perusing the promos, the skits, and whatever vignettes there may be, cramming the broad strokes of the larger narratives so that I might be able to pass whatever WWE-quiz comes my way. Altogether, after also checking up on SmackDown, I've condensed my WWE-viewership into about thirty minutes a week (unless there's a pay-per-view and then that duration naturally increases).

The result is that I'm a much happier human being, and I'm probably a lot easier to be around. I don't obsess about booking decisions. I don't bicker with anyone online. I don't care about anyone's criticism of my criticisms. The imagined judgements of some phantom "real pro-wrestling fan" have vacated my mind, replaced with a sense of peace and the ability to interact with pro-wrestling in a healthier way on my own terms.

Millions of Us Have Stopped Watching Wrestling - Can The Era of Wyatt Bring Us Back?

There are millions of us out there who have lost faith in the world of professional wrestling. It was a world we used to love. But since the end of the Attitude Era, so many of us walked away.

Is now the time for us to come back?

And is Bray Wyatt the man to bring us back?

Roman Reigns And The Dangers Of Deserve

Almost every day I see comments from frustrated professional wrestling fans claiming that Roman Reigns "doesn't deserve" all of the opportunities WWE has given him. This comment is incredibly reliable regardless of how Roman Reigns evolves and regardless of how his booking changes.

At this point, if a pro-wrestling fan is reciting the same laundry list of criticisms that have been leveled at Leati Joseph Anoaʻi over the past two years, I tend to question their true intentions as it relates to their love of professional wrestling.

The Art Of The Brand Split

The WWE announced on Wednesday morning, May 25th that in addition to broadcasting SmackDown live, Tuesdays on the USA Network, that a brand split will once again take effect in its fictional universe. Raw & SmackDown will feature *insert press-release quote* "unique storylines with unique casts, writing teams etc".

There are a lot of obvious benefits to this creative direction. Not only does a switch to live presentation help revitalize the WWE's stagnant B-Show, a definitive split in an over-crowded roster means less repeat match-ups, less over-exposed, over-worked talent, and more creative focus (hopefully) committed to improving the quality of these proposed unique storylines. With each roster able to focus on one live television show a week (rather than two where wins and loses cancel each other out) there could be more room for the performers to establish their characters via backstage interviews, in-ring promos, and main event matches that represent the culmination of consistently promoted throughlines rather than last-minute, contrived hero/villain pairings.

The Art Of Sasha Banks

A true star in entertainment is very rare.

Much like the celestial bodies they're named for, a star's talent, charisma, ingenuity, or personality burns so brightly and distinctly that they're impossible to ignore. They shine through the impenetrable dark of sameness that defines the vast majority of our existence. Their reach is seemingly infinite, easily comprehend and appreciated upon first glance.

THE RAW REVIEW

I only have so many sentences left.

Even if I live a long life, every time I finish writing a sentence, I’m getting closer and closer to the last one I’ll ever write.

Put like that, I can’t help but question why I would ever devote an extensive amount of time writing about a television show I regard as inescapably terrible. Whether or not it’s terrible for anyone else isn’t important to me when considering if I should go on writing a weekly RAW REVIEW. For me, the one who writes this, Monday Night Raw is a terrible television show that exhibits no real sign of genuine improvement and hasn’t in the four years I’ve been writing about it. Genuine improvement would mean a creative overhaul. A creative overhaul means an entirely different creative team with entirely different ideas from the ones currently making it on our television screens. Creative overhaul means never seeing another “invasion” angle or another “collusion” angle or anything anyone could easily identify as an “angle”. Creative overhaul means reconditioning the audience to be an actual audience rather than a cult of greedy, ignorant, self-important blog-babies who think summary-writing qualifies as writing and repeatedly using the word “nuance” is an indicator of intelligence and that the art pro-wrestling is a “choose your own adventure” young adult novel.

The Writings