Posts tagged pro wrestling podcast
THE REALITY OF WRESTLING OR: WHY EVERYTHING IS FAKE

I believe in professional wrestling.

Like any other storytelling medium, the theater of pro-wrestling can inspire, enlighten, and unite. The transcendent power of a pro-wrestling match is best comprehended by those viewers caught in The Moment of Pop - that instant where the onlooker forgets what they're watching is staged and is inspired to rise to their feet or sink into their seat.

In that millisecond of purity, all contrivance fades.

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WOW - EP149 - 2017

For the second to last episode of 2017, Work of Wrestling podcast returns to the original three-part format of the show!

For the Lock-Up, I review everything in pro-wrestling that I've seen in 2017. I focus primarily on WWE, discussing some of the highs and the lows, what stood out to me as particularly memorable and what WWE can do better (from The Festival of Friendship to the squandering of Bayley).

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WOW - EP147 - Survivor Series 2017 Review

This year's Survivor Series fluctuated between "fine" and "fun". Nothing was terrible, but nothing was too memorable, and in-between existed a lot of legitimately good fun. 

The basic conceit of Raw and SmackDown facing off in competition would resonate more if the stakes were clearly outlined and involved more than "bragging rights".

We might know the motivations of the characters when they're outside the squared circle (i.e. Kurt Angle wants to keep his job, Shane McMahon wants SDLive to be more than the B-show), but we don't know what an actual win in the wrestling match itself signifies. The concept of "why" any of this is happening doesn't have an instantly accessible answer beyond, "Because!"

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Your Negative Perception Of 205 Live Is Not Reality

On Tuesday night at 10:50 pm, I was quietly screaming at my television and pumping my fist with restrained desperation. I was "quiet" and "restrained" only because my wife was peacefully sleeping next to me, and I did not want to wake her. While words didn't actually escape my mouth, I could feel myself shouting, internally, "To-za-wa!!!". Akira Tozawa was making his "comeback" in a 205 Live main event match against Ariya Daivari. It was a number one contender's match to determine who would face Neville for the Cruiserweight Championship at SummerSlam. So it mattered. 

It seemed to me that all of the conditions were right for enjoying some fun, psychologically sound professional wrestling. I had tuned in after a long day at work, and I was winding down towards sleep, reclined in my bed, Tweeting along with fellow viewers, insulated in a warm bubble of pro-wrestling goodness. All was right with the world from my vantage, and Tozawa and Daivari were telling me a reassuring bedtime story about the power of perseverance.

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Pro-Wrestling Is An Art...But It's Better When Wrestlers Don't Know That

Professional wrestling is an art.

That's the simple truth.

Proving and reinforcing that truth with my style of pro-wrestling-arts-criticism has always been the purpose of my writing and my podcast. It is an accurate way of analyzing the medium that quickly dismantles the age-old claim "wrestling is fake", and simultaneously positions pro-wrestling to be watched (and created) with the respect it deserves.

The idea that pro-wrestling is an art is by no means new: philosopher Roland Barthes wrote about wrestling as theater in the 1950s, Bret Hart stated with his trademark tempered pride, "There is an art to wrestling" in the 1998 documentary Wrestling With Shadows, and CM Punk told GQ in 2011, "It's truly, I believe, one of the only art forms that America has actually given to the world, besides jazz and comic books".

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My Message To the Pro-Wrestling Journalists & Podcasters Of The Future

At the end of 2016 my weekly podcast, The Work of Wrestling, will go on hiatus. During that hiatus I plan on restructuring the show so that, in the future, it will be distributed in a highly focused, seasonal format. I do not yet know how long that hiatus will be and I do not yet know how long those seasons will be, but I am excited about the prospect of reinvention and return.

While I still plan to continue writing about wrestling whenever the mood strikes, it feels like a good time to offer a "see you later" (rather than a goodbye) to The Pro-Wrestling Community, particularly to the younger writers & podcasters currently honing their crafts. You are the ones who will take up this mantle, push it into the 21st Century and beyond, and change the way people think about professional wrestling (for the better). Your passion, your ingenuity, and your progressive perspectives will be needed for our Community to ever grow up.

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Raw Improvements In The New Era

The WWE has embarked upon its self-proclaimed "New Era".

The past two months, this idea has taken concrete form in a strict separation between the shows Monday Night Raw & SmackDown Live (separate rosters, brand-specific stories, brand-specific championships, and brand-specific divisions), a renewed focus on the significance of earning a Championship opportunity or victory, showcasing talent that might typically be underutilized, new General Managers in the form of Daniel Bryan for SmackDown & Mick Foley for RAW, and a variety of structural and aesthetic changes to both shows. It is an experiment still in its infancy, and like many experiments it results in some successes and some failures.

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WORK OF WRESTLING - EP79 - MISSY KEEN

While I spend most of my time these days writing arts criticism related to professional wrestling, at heart I'm a fiction-writer. That's what I've done my whole life, and that's what I'll continue to do long after I've written or said my last word on pro-wrestling. While I love the writing process itself, I am not enamored with the "literary world".

Readings, wine-tastings, workshops, conferences, literary-networking, talking about books, waiting six months for a response...all of it interests me a lot less than working on something and then sharing it directly with you free of charge. 

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WORK OF WRESTLING - EP78 - RICOCHET vs WILL OSPREAY

This week on The Work of Wrestling podcast I weigh in on the recent "controversial" match between Ricochet and Will Ospreay in New Japan Pro-Wrestling which sparked a debate in the wrestling community; do synchronized acrobatics undermine the credibility of wrestling?

Is this match pro-wrestling at all?

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ON THE ART OF PRO-WRESTLING COMMENTARY: OR "VETERAN INSTINCTS" IN THE WWE

On the April 18th, 2016 episode of Monday Night Raw, Chris Jericho fought Sami Zayn in the opening match.

The match itself, given the basic setup, was a good contest that played to the strengths of both performers. And from a pro-wrestling fan's point of view, Jericho vs Zayn is an incredibly enticing, almost surreal match-up; an exemplar from pro-wrestling's past taking on the bright beacon of pro-wrestling's future. If the two were feuding it's a match that could easily headline a pay-per-view with the proper build.

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THE RAW REVIEW

Imagine we’re by a campfire; you, me, and a few other campers. We’ve been hiking all day, and now we’re sitting down together to eat and drink and talk. The moonlight splinters against the forest canopy, falling to the dirt like strands of silk. Twigs and leaves snap and rustle in the dark beyond our campsite, reminding us that we’re not really alone. The campfire-light holds us in a warm, orange bubble, as we pull apart bits of jerky and laugh as gram crackers and marshmallows and chocolate dissolve in our mouths. A bottle of Jack passes from mouth to mouth, and that’s when the stories start. 

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THE RAW REVIEW

“Was RAW good?” my wife asked when she noticed RAW fade to black on my laptop. I could hear the hope in her voice, the earnest desire of any good spouse to know their partner is happy.
“I don’t know,” I sighed. She laughed in reply, accustomed to the sometimes indescribable angst any episode of Monday Night Raw inspires in me.

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